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Entre los nombres que marcaron la guitarra de jazz en
las décadas de 1980 y principios de los ’90, Emily Remler ocupa un lugar
singular. No sólo por ser una de las pocas mujeres instrumentistas que alcanzó
reconocimiento en un ambiente dominado por hombres, sino por haberlo hecho con
una voz estética definida, personal y profundamente musical. Su legado, aunque
truncado por su prematura muerte en 1990, permanece vivo en una serie de
grabaciones que revelan una artista de gran sensibilidad y profundidad técnica.
East to Wes (1988)
En este álbum homenaje a Wes Montgomery, Remler no se
limita a la cita superficial. Asimila y reinterpreta la herencia del maestro
con inteligencia y respeto. Desde la elección tímbrica —una guitarra cálida,
sin distorsión, con un fraseo articulado con pulso— hasta el uso del espacio y
la forma, todo en este disco evidencia una madurez estilística poco común.El
tema “Movin’ Along” es paradigmático: Remler combina arpegios amplios,
desplazamientos rítmicos y una lógica melódica que nunca se pierde en la
abstracción. En lugar de exhibicionismo técnico, construye discursos coherentes
y expresivos.
Catwalk (1984)
Grabado cuatro años antes, Catwalk muestra a
una Emily en pleno proceso de afirmación. Aquí ya no homenajea, sino que
escribe y desarrolla su propio lenguaje. Las composiciones presentan métricas
complejas, climas variados y grooves que dialogan con el latin jazz, el swing
moderno y el post-bop.
Su solo en “Mocha Spice” es ejemplo de control rítmico
y sofisticación armónica. El uso de acordes con tensiones añadidas y la
alternancia entre líneas melódicas y comping sincopado reflejan su
dominio de la guitarra jazzística como instrumento polifónico.
Together (1985)
En este álbum a dúo, Remler comparte espacio con uno
de los guitarristas –Larry Coryell- más audaces del jazz-fusión. Pero lejos de
opacarse, brilla. Lo hace desde el lirismo, el equilibrio y la claridad. En
piezas como “How My Heart Sings”, su uso del voice leading, la economía
de notas y el sentido del swing contrastan con la energía abrasiva de Coryell,
logrando un diálogo estético de gran riqueza.
Si bien Remler poseía un dominio técnico envidiable,
lo que realmente define su estilo es la musicalidad. Su forma de construir
frases, su atención al detalle armónico, su respeto por la forma y su capacidad
para escuchar al otro la convierten en una intérprete íntegra. No buscaba
impresionar, sino comunicar. Y lo lograba. Lo hizo sin estridencias, desde la
música. Su obra merece ser estudiada, transcrita, escuchada con atención.
Porque en cada una de sus notas hay una afirmación de identidad, una lección de
estilo y una invitación a repensar los cánones de la guitarra de jazz.
Por Marcelo Bettoni
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Hello —
Thanks for your interest. I’ve already asked the designer to incorporate those subscription options (an RSS feed and an email/newsletter sign-up) into the website so people who join can stay informed.
Best,
Marcelo
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Hi there! Thanks for your message.
I’m not really sure — my website was designed by a friend, so I don’t know the technical details.
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I’ve published several books as well. My latest one, Las Rutas del Jazz, has both a Spanish and an English version, with more than 560 pages.
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Thanks again for your support — it really motivates me to keep going.
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Hi, how are you? Thanks for your message.
I wanted to let you know that the information I share in my analyses and posts comes from my personal library, which includes more than 200 specialized books, as well as academic articles and materials from various universities that I can access through my work as a musicologist.
I’m sorry I can’t guide you more specifically this time, but if you’re looking for something in particular, feel free to write to me and I’ll be happy to help.
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Thank you so much for your message! I’m really glad you enjoyed the content.
All the material I share is the result of my own research work and a personal library of more than 300 books, along with musicology papers from different universities.
The design of the page was created by a friend of mine, who helped me shape the visual side of the project.
Thanks again for your support — it truly motivates me to keep creating and sharing more content!
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Thank you again for taking the time to comment and spread the content. We’ll keep exploring together and sharing the passion for music!
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Hi there,
Thanks for reaching out. No problem at all—happy to share my experience.
To be honest, I didn’t build the blog myself. A close friend helped me set it up, especially the technical side, so I wasn’t starting completely from scratch. That made things much easier. From what I’ve seen, it’s not necessarily difficult to start a blog today, even if you’re not very technical—many platforms are quite intuitive, and you can learn as you go.
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My main suggestion would be to start simple, focus on your content, and get help—either from a friend or online tutorials—for the technical setup. You can always refine and improve things later.
Best of luck with your project, and thanks again for writing.
Best regards,
Marcelo
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